Kyung cannot realize their particular top thinking as the depicted by the fresh performer just like the someone else push various identities abreast of their own, and this overlap and vie: the fresh hypersexual create, hence stresses Western curiosity about Western-build “liberty,” especially sexual liberty; brand new hyperfeminine label, dictated from the around the globe cost savings, and this decreases the susceptible to an effective commodified (Asian) ethnic most other; and also the self once the based on negation otherwise rebellion. Such essentializing and you will activated constructs, that avoid Kyung out of finding a far more rewarding sense out of care about, result in a need to annihilate those people significance. She does this of the wrecking his comical guide store, the room out-of stunted masculinity you to definitely wishes nothing more than to collect and objectify. However, so it criminal operate–which Kalesniko spreads out over twenty profiles–stays unsatisfying. Immediately after attacking having Monty, and you may finding that she does not have it in her own in order to leave your, Kyung reverts so you’re able to an identification provided to their own inside the Korea: kopjangi, otherwise coward (248). Root their own search for selfhood ‘s the strive anywhere between liberty away from phrase and monetary safeguards. Existence having Monty demonstrates discouraging, Eve doesn’t rescue their own, and you will Kyung is actually afraid setting out unsupported and on her individual. Finally, her interest in security leads to a good grudging greeting of hyperfeminine trope. She today solutions to Monty’s summons, as well as in essence might one of the cheerleaders you to smother brand new performer, an individual who reinstates new position quo of the submission so you can it.